It is not just with the word “Verlangen” in the text, but also with the “figura suspirans” (or longing in the music, as explained in the organ video of Matthias Havinga mentioned above) that is present here too, in the tenor part as well in the violin part. The project will conclude with a complete catalogue of J.S. For Cantata 8 Liebster Gott, wenn wird ich sterben there is no other choice than Herreweghe. For the fourth Sunday of Advent, Bach wrote two cantatas in Weimar: Cantata 132 Bereitet die Wege, bereitet die Bahn in 1715, and Cantata 147a Herz und Mund und Tat und Leben in 1716. Bach (BWV 4, 131 and 106) and G.P. In the soprano aria, hear how low in the soprano range this is set — it could just as well have been sung by an alto. Then watch the excellent and moving live performance of this cantata by Alex Potter with the Netherlands Bach Society here on YouTube. And leave it to alto Alex Potter to bring all this out in a performance. Nine years later, in the first cantata of his Christmas Oratorio, Bach also stresses this “coming to earth” and “becoming man” of Jesus on this first Christmas Day, in what is also the most moving and inward-looking part of that particular cantata: the soprano-bass duet. It’s cold comfort for the absence of a complete All of Bach recording, but for a few seconds, you can see Potter perform the alto recitative from Cantata 161 with the superb band he had put together for this : the dramatic so schlage doch section around 1’38” and the start of the recitative around 7’12”. For this entire program, the violinists were playing one-on-a-part, the same way it was probably done in Weimar, where Bach first performed Cantata 161 on the small organ loft in 1716. The ensemble was founded in 1921 in Naarden to perform Bach's St Matthew Passion on Good Friday and has performed the work annually since then in the Grote of Sint-Vituskerk. Back to what happened in the concert in Naarden on October 31. Many scholars suggest that during that spring of 1724, Bach might have lost his boy soprano soloist (due to him leaving the school or due to his voice changing, we don’t know), and documents suggest that he was frustrated with the low quality of the boy sopranos of the St. Thomas School in general. Menu. Read more about Cantatas 127, 22, and 23 in my blogpost from 2018 here. My main reason for purchase was the sacred Cantatas, presented here in 1999 recordings by the Holland Boy Choir, Netherlands Bach Collegium (period instruments) and soloists including Ruth Holton and Bas Ramseller directed by Pieter Jan Leusink. Bach 's St. Matthew Passion ( BWV 244) which it has given since 1922, in the Grote Kerk, Naarden. For the joyous opening of this cantata, Bach re-uses his Orchestral Suite no. Find album reviews, stream songs, credits and award information for Bach: Famous Cantatas - Holland Boys Choir, Netherlands Bach Society Collegium Musicum, Pieter Jan Leusink on AllMusic - 2013 A pragmatic solution, as Potter explained partly in the program book: recorder player Benny Aghassi was available; partly in his message to me: “I think that for a modern audience having the voice cut through a bit more makes it clearer – also with the text. *. You can find most of them by typing Alex Potter into the search bar at the top of this post. Even though the tenor wasn’t singing yet, the text was already there: the longing (“Verlangen”) but also the pure radiance (“reiner Schein”) of the soul and the image of angels. The collected works are known as the Bach-Gesellschaft-Ausgabe.On completion of the project, the Society dissolved itself. Read more about that here in my post from 2016. Posted by cantatasonmymind in Bach's life, Cantatas, Christmas, Leipzig, Alex Potter, Bachvereniging, BWV 110, Charles Daniels, Christmas 1, Christmas Day, Grote Kerk Naarden, Jos van Veldhoven, Maria Keohane, Matthias Winckhler, Netherlands Bach Society. (Part I is here). Bach Foundation, with with Hana Blažiková, soprano; Margot Oitzinger, alto; Jakob Pilgram, tenor; and Wolf Matthias Friedrich, bass. To support All of Bach and our musicians click here. And, in those concerts in the Netherlands in 2019, we got to hear even more Dorothee Mields. The Netherlands Bach Society is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. See the “Sato magic” happen in the soprano aria from Cantata 36 Schwingt freudig euch empor on All of Bach, with soprano Zsuzsi Tóth. In church, he suddenly heard the music that Bach wrote for his birthday six years earlier, as played here by the Netherlands Bach Society for All of Bach. 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